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This is the second roll of film I have put through my aging Pentax KM and I’m very much more pleased with these results than for the Kentmere 400 (also an Ilford product) that I tried first. Now, that could be down to inexperience, it was the first roll of film I had developed in over 40 years, or it could be to the way I was using the camera / lens. I certainly found the lens to be challanging, it was the Pentax 50mm f1.7 lens, which althrough equally aged does tend to get good reviews. The problem I found was in focusing it and the Kentmere images are definately off focus for this reason. For these shots, I went with the Minolta 35-70 F2.8-4 as I’d used this on my Lumix GX-80 with a lens adapter and achieved some really nice results. I felt than that I had a good chance on improving on the 50mm f1.7 and looking at the reults here, I think I did. For the next roll I shoot with the Pentax, I am going to shoot twelve on the Pentax 50mm, f1.7, twelve on the Minolta 35-70 and twelve on the Pentax 55mm f1.8 that came with the camera all those years ago. I’m keen to revisit the Pentax 55mm as I recall images from that lens being quite sharp. This approach will at least enable me to judge whether it is technique, or equipment.
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All of the above images were processed in Bellini chemicals. For the developer I used Bellini Hydrofen @ 1:39 dilution for 6 minutes, for the fixer, Bellini FX100 ECO @ 1:4 for 3 minutes. The stop bath was just tap water. I digitised the negatives using a home made digitising rig consisting of a light box (flash lit), Lomography Digitalizer 35mm Scanning Mask, tripod and a Nikon D600 with Tamron 90mm f2.8 1:1 Macro lens.
